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	<title>Comments on: Brian Eno Wants To Alter Your Concept of &#8220;Now&#8221;</title>
	<link>http://noteasilyamused.com/2007/08/20/brian-eno-concept-of-now/</link>
	<description>Thoughts on avant media culture and its effect upon discourse, thought patterns, social behavior and the taste of beer. NEVER links to YouTube, kittens, or Pr0n (go ask a 12 yr old)... and, NEVER EVER telling you it's chocolate when it's not.</description>
	<pubDate>Sun, 20 May 2012 20:38:36 +0000</pubDate>
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		<title>by: Dave Davis</title>
		<link>http://noteasilyamused.com/2007/08/20/brian-eno-concept-of-now/#comment-3397</link>
		<pubDate>Thu, 16 Jun 2011 11:50:04 +0000</pubDate>
		<guid>http://noteasilyamused.com/2007/08/20/brian-eno-concept-of-now/#comment-3397</guid>
					<description>The sense of now is interesting on many levels. Research shows we are actually "clocked" beings, and while our clock rate averages 117bpm, it not only varies across individuals +/- 10%, but over each individual's life. A individual's clock runs at a higher rate as a child than that as an adult, and as a senior it slows even more. Perceptually this affects our point of view: time literally moves slower for kids, with their faster frame rate capturing more details "in the moment", while older folks better-perceive the interconnectedness of people and find patience easier thanks to their slower frame rate and longer exposures. Literally.

In addition to projects like the ones above, a "CityCam" project was started wherein a fixed camera takes a single exposure each day of a city from an overlook. This creates an even record of mutation and change. The application of this data is unknowable, but certain to be of value. Similarly, there's a photo technique evolving in architecture for revealing the guts and surface of a building at once through repeated multiple exposures of a single frame - it renders the structure of buildings visible, within an equally visible facade. Spooky but cool expression of time through architecture (which seems static from our normal point of view).</description>
		<content:encoded><![CDATA[<p>The sense of now is interesting on many levels. Research shows we are actually &#8220;clocked&#8221; beings, and while our clock rate averages 117bpm, it not only varies across individuals +/- 10%, but over each individual&#8217;s life. A individual&#8217;s clock runs at a higher rate as a child than that as an adult, and as a senior it slows even more. Perceptually this affects our point of view: time literally moves slower for kids, with their faster frame rate capturing more details &#8220;in the moment&#8221;, while older folks better-perceive the interconnectedness of people and find patience easier thanks to their slower frame rate and longer exposures. Literally.</p>
<p>In addition to projects like the ones above, a &#8220;CityCam&#8221; project was started wherein a fixed camera takes a single exposure each day of a city from an overlook. This creates an even record of mutation and change. The application of this data is unknowable, but certain to be of value. Similarly, there&#8217;s a photo technique evolving in architecture for revealing the guts and surface of a building at once through repeated multiple exposures of a single frame - it renders the structure of buildings visible, within an equally visible facade. Spooky but cool expression of time through architecture (which seems static from our normal point of view).
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		<title>by: College Grad Job Search</title>
		<link>http://noteasilyamused.com/2007/08/20/brian-eno-concept-of-now/#comment-54</link>
		<pubDate>Sun, 24 Feb 2008 10:31:22 +0000</pubDate>
		<guid>http://noteasilyamused.com/2007/08/20/brian-eno-concept-of-now/#comment-54</guid>
					<description>&lt;strong&gt;Job Search Tips for Hispanic Job Seekers...&lt;/strong&gt;

Finding a job has become much more of a challenge in recent years. Using the Internet as an additional resource will increase your options to find many great job opportunities, which are not always advertised in the newspaper....</description>
		<content:encoded><![CDATA[<p><strong>Job Search Tips for Hispanic Job Seekers&#8230;</strong></p>
<p>Finding a job has become much more of a challenge in recent years. Using the Internet as an additional resource will increase your options to find many great job opportunities, which are not always advertised in the newspaper&#8230;.
</p>
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		<title>by: Troy</title>
		<link>http://noteasilyamused.com/2007/08/20/brian-eno-concept-of-now/#comment-15</link>
		<pubDate>Tue, 21 Aug 2007 21:12:15 +0000</pubDate>
		<guid>http://noteasilyamused.com/2007/08/20/brian-eno-concept-of-now/#comment-15</guid>
					<description>Brilliant as always, JMcD.

I'm fascinated with the idea of the Long Now. I would localize however to the Long Week. You know, like "there are 07 days in this week. I've got plenty of time to get that project done.  Wait a minute what day is it now? Aw, 0crap."</description>
		<content:encoded><![CDATA[<p>Brilliant as always, JMcD.</p>
<p>I&#8217;m fascinated with the idea of the Long Now. I would localize however to the Long Week. You know, like &#8220;there are 07 days in this week. I&#8217;ve got plenty of time to get that project done.  Wait a minute what day is it now? Aw, 0crap.&#8221;
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		<title>by: John McDaniel</title>
		<link>http://noteasilyamused.com/2007/08/20/brian-eno-concept-of-now/#comment-14</link>
		<pubDate>Tue, 21 Aug 2007 14:17:07 +0000</pubDate>
		<guid>http://noteasilyamused.com/2007/08/20/brian-eno-concept-of-now/#comment-14</guid>
					<description>Getting into Eno's music and how it relates to concepts of time would be a great followup --and likely as daunting as a dissertation (grad students, anyone?). Terry Riley, Steve Reich, La Monte Young, Philip Glass, etc. all deserve mention as does Erik Satie when getting into music and stretching perceived time or throwing out any cares about time and focusing on process (Of course Satie's Furniture Music is a pre-echo of Music for Airports, et al). Satie's Vexations can take nearly 24 hrs to perform its 840 repetitions depending upon the tempo. I listened to part of a performance of it years ago. You have to get to a point where you let go and just get lost in the repetition and then you start to hear variations within the cycles and slowly a larger view comes into focus.

Cultural perceptions of time is a subject that goes WAY beyond the differences between New Yorkers and Europeans. My recent experience working with Native Americans introduced me to the idea that because there's an endless supply of time stretching far off into the distant future, there's no need to worry about getting something done by a certain date --it will eventually get done because there's no such thing as "running out of time." Hard to explain to construction contractors and project installers, but the serene delivery of the concept by a tribal member leaves one rather speechless. OK, my work is finished and has been waiting for two years to be delivered. I guess I've got the time! The Long Now Foundation projects take a similar view: there is no deadline; there's plenty of time; it will get done.

Thanks for reading!</description>
		<content:encoded><![CDATA[<p>Getting into Eno&#8217;s music and how it relates to concepts of time would be a great followup &#8211;and likely as daunting as a dissertation (grad students, anyone?). Terry Riley, Steve Reich, La Monte Young, Philip Glass, etc. all deserve mention as does Erik Satie when getting into music and stretching perceived time or throwing out any cares about time and focusing on process (Of course Satie&#8217;s Furniture Music is a pre-echo of Music for Airports, et al). Satie&#8217;s Vexations can take nearly 24 hrs to perform its 840 repetitions depending upon the tempo. I listened to part of a performance of it years ago. You have to get to a point where you let go and just get lost in the repetition and then you start to hear variations within the cycles and slowly a larger view comes into focus.</p>
<p>Cultural perceptions of time is a subject that goes WAY beyond the differences between New Yorkers and Europeans. My recent experience working with Native Americans introduced me to the idea that because there&#8217;s an endless supply of time stretching far off into the distant future, there&#8217;s no need to worry about getting something done by a certain date &#8211;it will eventually get done because there&#8217;s no such thing as &#8220;running out of time.&#8221; Hard to explain to construction contractors and project installers, but the serene delivery of the concept by a tribal member leaves one rather speechless. OK, my work is finished and has been waiting for two years to be delivered. I guess I&#8217;ve got the time! The Long Now Foundation projects take a similar view: there is no deadline; there&#8217;s plenty of time; it will get done.</p>
<p>Thanks for reading!
</p>
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		<title>by: officer buckle</title>
		<link>http://noteasilyamused.com/2007/08/20/brian-eno-concept-of-now/#comment-13</link>
		<pubDate>Tue, 21 Aug 2007 12:52:37 +0000</pubDate>
		<guid>http://noteasilyamused.com/2007/08/20/brian-eno-concept-of-now/#comment-13</guid>
					<description>So many of the world's, and certainly our country's problems are the result of short-sightedness. Any effort to prolong now would seem to be a step in the right direction.

It does make me wonder if some of The Long Now Foundation's members are too future-centric. Are we only interested in prolonging "this" now forward? Are traditionalists and historians ahead of the game by connecting the past to now and the future? 

And to James' point (that fugu-eating madman), I expected a reference to Eno's Discreet Music, in which he takes Pachelbel's Canon and slowly devolves the piece by assigning longer and longer note values to the various instruments.

One last anecdote- I recently read an article by Oliver Sacks in the New Yorker that explored the connections between the neuropsychological effects of Catatonia and Tourette's Syndrome and the experience of time. Catatonics are apparently the masters of the long now, whereas sufferers of Tourette's Syndrome, some experts believe, are experiencing time faster than they can properly filter. Amazing stuff...</description>
		<content:encoded><![CDATA[<p>So many of the world&#8217;s, and certainly our country&#8217;s problems are the result of short-sightedness. Any effort to prolong now would seem to be a step in the right direction.</p>
<p>It does make me wonder if some of The Long Now Foundation&#8217;s members are too future-centric. Are we only interested in prolonging &#8220;this&#8221; now forward? Are traditionalists and historians ahead of the game by connecting the past to now and the future? </p>
<p>And to James&#8217; point (that fugu-eating madman), I expected a reference to Eno&#8217;s Discreet Music, in which he takes Pachelbel&#8217;s Canon and slowly devolves the piece by assigning longer and longer note values to the various instruments.</p>
<p>One last anecdote- I recently read an article by Oliver Sacks in the New Yorker that explored the connections between the neuropsychological effects of Catatonia and Tourette&#8217;s Syndrome and the experience of time. Catatonics are apparently the masters of the long now, whereas sufferers of Tourette&#8217;s Syndrome, some experts believe, are experiencing time faster than they can properly filter. Amazing stuff&#8230;
</p>
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		<title>by: James</title>
		<link>http://noteasilyamused.com/2007/08/20/brian-eno-concept-of-now/#comment-12</link>
		<pubDate>Tue, 21 Aug 2007 12:10:50 +0000</pubDate>
		<guid>http://noteasilyamused.com/2007/08/20/brian-eno-concept-of-now/#comment-12</guid>
					<description>Great stuff here JM!  I expected you to reference Music for Airports or Here Come the Warm Jets so was pleasantly surprised by the Long Now inclusion.  Although not quite as well stated, John Cage and Cornelius Cardew pre-dated Eno on this sense of here and now.  Best case in point was John's "Organ 2" which is as far as I know the longest concert work in history still being performed in Germany.  Guess that European aesthetic does a better job of dealing with time than us quick fix Americans, eh?  Nice to see your writing licks! best ,jdr</description>
		<content:encoded><![CDATA[<p>Great stuff here JM!  I expected you to reference Music for Airports or Here Come the Warm Jets so was pleasantly surprised by the Long Now inclusion.  Although not quite as well stated, John Cage and Cornelius Cardew pre-dated Eno on this sense of here and now.  Best case in point was John&#8217;s &#8220;Organ 2&#8243; which is as far as I know the longest concert work in history still being performed in Germany.  Guess that European aesthetic does a better job of dealing with time than us quick fix Americans, eh?  Nice to see your writing licks! best ,jdr
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